The Body
The Body review and free download.
When hotshot businesswoman Maya Varma's (Sobhita Dhulipala) body is going lacking from the morgue under mysterious circumstances, SP Jairaj Rawal (Rishi Kapoor) takes it upon himself to get to the bottom of the reality. And, once he questions her husband Ajay Puri (Emraan Hashmi), it becomes obvious that he is more than just a bereaved widower.
The Body REVIEW
Maya is born with a silver spoon and has the whole thing going for her – smart, a hit and gorgeous. And, for a person who works as a professor with a meager income, Ajay sure moves gold whilst the duo decides to tie the knot. But, when the entrepreneur finally ends up lifeless and her body is going lacking from the morgue, the fact in the back of their marriage and the whole thing around it begins to unfold.
The storyline of 'The Body' does no longer bring whatever new to the desk as a way because the thriller genre is concerned. Also, since it is confined in the walls of a mortuary and spans over a length of eight hours, this homicide mystery has a tendency to lose its grip over the target audience early on. Despite the respectable historical past score – an absolute need to for a mystery to work – the movie fails to preserve you on the edge, and finally ends up being yet every other run-of-the-mill, half-baked attempt at concocting a story revolving round love, demise and betrayal.
Rishi Kapoor, because the stubble-sporting cop with a devil-may-care attitude, is quite convincing as a man or woman with a stricken past looking to get to the lowest of this distorted love story. Emraan Hashmi, as a romantic companion with questionable morals, exudes attraction in components and conjures up pity (as and when needed). Sobhita Dhulipala, as a rich-yet-lonely millionaire, with a twisted psyche displaying cold-hearted behavior, isn't so convincing in the experience that she ends up being too properly to be bad. Debutante Vedhika Kumar, as the naive and gullible associate in crime, has a great screen presence however appears like a misfit, especially inside the 2nd half.
Just like all different Emraan Hashmi films, the track of this movie – on the whole, love ballads – does not disappoint and the catchy numbers are soothing to the ears.
In a nutshell, 'The Body' is low on content and high on glamour. There isn't always much to unravel in this one.
The storyline of 'The Body' does no longer bring whatever new to the desk as a way because the thriller genre is concerned. Also, since it is confined in the walls of a mortuary and spans over a length of eight hours, this homicide mystery has a tendency to lose its grip over the target audience early on. Despite the respectable historical past score – an absolute need to for a mystery to work – the movie fails to preserve you on the edge, and finally ends up being yet every other run-of-the-mill, half-baked attempt at concocting a story revolving round love, demise and betrayal.
Rishi Kapoor, because the stubble-sporting cop with a devil-may-care attitude, is quite convincing as a man or woman with a stricken past looking to get to the lowest of this distorted love story. Emraan Hashmi, as a romantic companion with questionable morals, exudes attraction in components and conjures up pity (as and when needed). Sobhita Dhulipala, as a rich-yet-lonely millionaire, with a twisted psyche displaying cold-hearted behavior, isn't so convincing in the experience that she ends up being too properly to be bad. Debutante Vedhika Kumar, as the naive and gullible associate in crime, has a great screen presence however appears like a misfit, especially inside the 2nd half.
Just like all different Emraan Hashmi films, the track of this movie – on the whole, love ballads – does not disappoint and the catchy numbers are soothing to the ears.
In a nutshell, 'The Body' is low on content and high on glamour. There isn't always much to unravel in this one.
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